| dc.contributor | Shaheen, Hazem | |
| dc.contributor | Essam, Ramy | |
| dc.contributor | Fayed, Ahmed Alaa | |
| dc.contributor.advisor | Fox, Kim | |
| dc.creator | Badawi, Nada | |
| dc.date | 2012-05-17 | |
| dc.date.accessioned | 2012-05-17T13:12:44Z | |
| dc.date.available | 2012-05-17T16:00:05Z | |
| dc.date.issued | 2012-05-17 | |
| dc.identifier.uri | http://hdl.handle.net/10526/3092 | |
| dc.description.abstract | During the eighteen days of the January 25 Revolution, the number of musicians who have began singing for the revolution has grown. They were not restricted nor censored, but they were forced to deal with a different kind of pressure when the Supreme Council of the Armed Forces were in power after Egyptian former President Hosni Mubarak stepped down. Despite that, they still managed to find educational institutions, like AUC, their best venues to hold concerts and perform music. | en |
| dc.format.medium | documentaries | en |
| dc.format.medium | interviews | en |
| dc.format.medium | transcripts | en |
| dc.language.iso | en | en |
| dc.rights | Author retains all rights with regard to copyright. | en |
| dc.subject | Egypt | en |
| dc.subject | American University in Cairo | en |
| dc.subject | January 25th Revolution | en |
| dc.subject | Protest songs | en |
| dc.subject | Student unions | en |
| dc.subject | Eskenderella | en |
| dc.subject | Popular music--Political aspects | en |
| dc.subject | Developers Inc. | en |
| dc.subject.classification | Other publications | en |
| dc.title | Revolutionary rhythms in Egypt and the American University in Cairo | en |
| dc.type | Sound | en |
| dc.type | Text | en |
| dc.contributor.sponsor | American University in Cairo. Dept. of Journalism and Mass Communication | en |
| dc.subject.discipline | Journalism and Mass Communication | en |
| dc.subject.course | JRMC 460 | en |
| dc.rights.access | This item is available | en |