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dc.contributor.advisor Mehrez, Samia Serhan, May 2017-09-14T11:19:48Z 2018-09-17T22:01:03Z Fall 2017 en_US 2017-09-14
dc.description.abstract Mariam Naoum’s literary adaptations to television in the aftermath of the 2011 Egyptian uprising have carried wide cultural, political and literary implications, especially where the “woman question” is concerned. With Islamism and militarism both threatening to exclude a wide sector of women from the historical narrative of the uprising and the subsequent nation-building process, and with a male-dominated literary establishment that systematically relegates women to secondary roles, Naoum’s writing re-affirmed gendered agency both on the level of social engagement and authorship. Chapter one of the thesis provides the theoretical framework and historical backdrop necessary for understanding how female writing can contest various male-sanctioned boundaries so as to define gender, cultural and national identities on its own terms. Chapters two, three and four examine the various applications of these ideas. Chapter two focuses on how the female writer turns the stagnant political moment of Osama Anwar Okasha’s novel, Munkhafad al-Hind al-Mawsimyy into a hopeful narrative empowered by women that are responsible for bringing about change to the nation. Chapter three looks at how a completely disenfranchised female protagonist in Sonallah Ibrahim’s Dhat is freed in the adaptation to represent a nation that is in full possession of itself and its future. Finally, chapter four is a critical reading of how Naoum reinterprets gendered agency in Fathiyya al- Assal’s Sign al-Nisa’ through a process of meaning construction, which breaks down many of the static and disabling labels attached to gender. By capitalizing on the power of adaptation, of television drama, and of Ramadan’s high access to audiences of all stripes, Mariam Naoum writes gendered agency into the nation at a critical time in groundbreaking ways. en_US
dc.description.sponsorship To my dear friend and teacher, Dr. Samia Mehrez. Thank you for always pushing me beyond the limits I set for myself, for all the opportunities you have given me, and for your unwavering support; All the love, gratitude and respect. To my sister Nermin Serhan for setting me on this path, way back when I had a love for literature and did not really know what to do with it. To my husband Wael Omar, thank you for your patience. It has been taxing with two children born during this process. I could not have done it without you. Finally, to the most amazing kids, Zein and Nadia. You might be too young to understand now, but you have provided me with the strongest impetus and a relentless drive to complete what I set out to do. May it shine before you as a reminder to always be curious, passionate, and dedicated to the things you love. en_US
dc.format.extent 125 p. en_US
dc.format.medium theses en_US
dc.language.iso en en_US
dc.rights Author retains all rights with regard to copyright. en
dc.subject Translation Studies en_US
dc.subject Gender en_US
dc.subject 2011 Egyptian Uprising en_US
dc.subject Television dramas en_US
dc.subject Mariam Naoum en_US
dc.subject Women's writing en_US
dc.subject Adaptation Studies en_US
dc.subject.lcsh Thesis (M.A.)--American University in Cairo en_US
dc.title From text to screenplay (gendering the nation in Mariam Naoum’s literary adaptations) en_US
dc.type Text en_US
dc.subject.discipline Arabic Studies en_US
dc.rights.access This item is restricted for 1 year from the date issued en_US
dc.contributor.department American University in Cairo. Dept. of Arab and Islamic Civilizations en_US
dc.description.irb American University in Cairo Institutional Review Board approval has been obtained for this item. en_US
dc.contributor.committeeMember Talib, Adam
dc.contributor.committeeMember Hishmat, Dina

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  • Theses and Dissertations [1704]
    This collection includes theses and dissertations authored by American University in Cairo graduate students.

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